THE MEANING OF JANTURANEBEG GAGRAK PENGINYONGAN

Author: Kholid Mawardi

ABSTRACT

Indonesia with its various diversity has very many cultures, one of the cultures that still survives and is preserved is Ebeg. The art of ebeg itself has a deep meaning for every performer. The purpose of this study is to study and analyze the meaning of janturan ebeggagrak panginyongan. This research uses ethnographic methods. In collecting data on this study regarding the meaning of janturan, researchers based themselves on several things, namely what is said to be the mass base of supporters of panginyongan ebeggagrak art, especially the indhanger, behaviors, properties related to the janturan phenomenon in staging jathilan. Informants were sought from ebeggagrak Penginyongan groups in the Banyumas Raya area. The results of this study show that these meanings are based on their understanding of the phenomenon of wuru in the janturan round, including: a) human gluttony that must be avoided, b) a form of gratitude to indhang, c) letting go of the burden of life and pleasing oneself, d) a sense of infinite happiness because of being able to know the supernatural. These constructed meanings have given rise to spirituality related to the meaning and purpose of human life, including: a) the living man must not indulge in lust, b) in life must always remember the good and repay it, c) the purpose of human life is to return to his creator, and d) communicating with the Creator must be through the provisions that have been outlined.

Keywords: Meaning, Culture, Janturan, Ebeg

REFERENCE

  • Alkaf, Mukhlas. 2012. Spiritualitas Mistis di Balik Ekspresi Kesenian Rakyat Jaranan. Skripsi. Universitas Institut Seni Indonesia Surakarta. Surakarta.
  • Bagong Kussudiardja. 1992. Dari Klasik hingga Kontemporer. Yogyakarta: Bentang Offset.
  • Endraswara, Suwardi. 2010. Folklor Jawa Macam, Bentuk dan Nilainya. Jakarta: Penaku.
  • Herusatoto, Budiono. 2008. Simbolisme Jawa. Yogyakarta: Ombak.
  • James. 1984. Folklor Indonesia: Ilmu Gossip, Dongeng, dan Lain-lain. Jakarta: PT Grafiti Pers.
  • Kismo. 1994. Studi tentang Bentuk dan Perubahan Fungsi Pada Kesenian Ebeg Ki Kasmadi di Desa Bengbulang. Skripsi. Sekolah Tinggi Seni Indonesia, Surakarta. Surakarta.
  • Kutha Ratna. 2010. Metodologi Penelitian Kajian Budaya dan Ilmu Sosial Humaniora pada Umumnya. Yogyakarta: Pustaka Pelajar.
  • Maryaeni. 2005. Metode Penelitian Kebudayaan. Jakarta: PT. Bumi Aksara.
  • Muhammad Nur Salim. 2011. Peran Gending Jathilan dalam Proses Ndadi pada Kesenian Jathilan Kelompok Turonggo Mudo Desa Borobudur Kecamatan Borobudur Kabupaten Magelang. Skripsi. Institut Seni Indonesia, Surakarta. Surakarta.
  • Prihatini, Nanik Sri. 2008. Seni Pertunjukkan Rakyat Kedu. Surakarta: CV Cendrawasih.
  • Purwadi. 2009. Folklor Jawa. Yogyakarta: Pura Pustaka.
  • M. Soedarsono. 1999. Metodologi Penelitian Seni Pertunjukan dan Seni Rupa. Bandung: MSPI.
  • Rabimin. 2006. Studi tentang Kesenian Lengger di Kabupaten Kebumen (Suatu Kajian Tekstual dan Kontekstual). Penelitian. Sekolah Tinggi Seni Indonesia. Surakarta.
  • Sedyawati, Edi. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.
  • Sugiyono, 2012. Metode Penelitian Kuantitatif, Kualitatif, dan R & D. Bandung: Alfabeta.
  • Springate, Lucy Angela Clare. 2009. Kuda Lumping dan Fenomena Kesurupan Massal. Skripsi. Universitas Muhammadiyah Malang. Malang.
  • Siska Hariyati. 2013. Kesenian Ebeg Paguyupan Taruna Niti Sukma di Grumbul Larangan Desa Kembaran Kecamatan Kembaran Kabupaten Banyumas (Studi Kasus Wuru). Skripsi. Institut Seni Indonesia Surakarta. Surakarta.
  • Umar Kayam. 1981. Seni Tradisi Masyarakat. Jakarta: Sinar Harapan